Below you'll find a picture of the braced top with the braces mostly completely un-carved. The top already has a rosette installed which I'll take some pictures of later - it's a very basic design and I've gone over this before. The sticks coming from above are called "go bars" and make it very easy to clamp things down. One problem though is that I have to make the base of the "go bar deck" stronger as it was deflecting under the load of the go bars.
The bracing pattern is the same as my last Харків (Kharkiv) version. The only difference is that this time I didn't I-beam the braces. Even so, the top came in right at around 450 grams - perhaps I beam bracing isn't that necessary. Below is a shot of the braces in their final shape.



What I'll do for this version is to cheat the angle a bit on the shemstok to get it right rather than "straighten" the frame because it's much easier. That's o.k. for this one but the next instrument will require it to be perfect out of the gates.
Below is a shot showing how I've got to fix up some wavy-ness in the rim. If you read in a prior post, I'm using a material called "compwood". One of the side effects are that heavy clamping can compress the wood. Here's a shot of me flattening the area where the shemstok will be glued on:
Finally, here's a shot of the back with it's rough bracing glued on. I'm bracing this top a little more as I had some warpage issues at Kobzarska Sich last year. I'll be trying to shave the braces down until the tap tone of the back is either about a semitone higher or lower than the top (haven't decided yet).


